At the start of the film we find the camera following a dark figure wearing a menacing samurai mask as he rides a modernistic motorcycle into Jesus Town. In this post-apocalyptic world, the android finds itself siding with rebels. His opponents are Gurjev, a mad ruler and his android associate, Michael. This is one of those films where the good guy looks like a bad guy and the bad guys are all wearing white suits. The simple plot follows Kikaider as he enters Jesus town and comes in contact with the rebels. When Kaoru, a beautiful young raider, falls afoul of the regime, Hakaider builds a full head of steam and takes on the entire establishment in a series of ever more dramatic confrontations.

This is the second of Keita Amemiya's films, and while it is better made (and less silly) than Zeiram 2, this is the Amemiya film with the least amount of plot and character. Instead it's capital is special effects, costumes, and violence. All of which it does quite well for a low budget thriller. Once again Amemiya demonstrates a flair for scene setting and character design. The downside is his penchant for vacuous dialog but, in the light science fiction of its time, perfection was not an option.

There is a great deal of strong Christian symbolism in the film, which an American viewer may find misleading. As in Evangelion, one has to remember that the Christian framework is as mysterious as the Japanese mystical framework is to us. Amemiya uses Christianity to add mystery and a sense of the occult, not to advocate and religious position. The film is meant to be enjoyed, particularly with a good supply of popcorn, not to make an indelible mark on cinematic history.