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Spider Forest
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List Price: $14.95
Our Price: $13.49
Your Save: $ 1.46 ( 10% )
Availability: Usually ships in 24 hours
Manufacturer: Tartan Video
Starring: Seo Jeong-min, Son Byeong-ho, Kang Gyeong-heon, Jang Hyeon-seong, Gam Woo-seong
Directed By: Song Il-gon
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Average Customer Rating:  
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Aspect Ratio: 1.33:1
Audience Rating: R (Restricted)
Binding: DVD
EAN: 0842498030325
Format: AC-3
Label: Tartan Video
Manufacturer: Tartan Video
Number Of Items: 1
Publisher: Tartan Video
Region Code: 1
Release Date: 2005-10-25
Running Time: 120
Studio: Tartan Video
Theatrical Release Date: 2004
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Editorial Reviews:
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Deep in the forest, a man and woman have been brutally attacked in a cabin and left to die. Arriving too late, Kang chases the killer only to be hit by a speeding car. Barely surviving surgery, he now finds himself a prime suspect. He cannot shake the feeling that there are strange gaps in his memory regarding that night and the killer's identity. While police set out to confirm his story, he begins his own quest to remember the truth about the murder and himself.
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Spotlight customer reviews:
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Customer Rating: 
Summary: Beautifully written, shot, and acted ... and bewildering.
Comment: I had to watch this film once, visit the IMDb and read all I could from other folks attempting to explain it, then watch it again before arriving at a score of nine. The first viewing left me bewildered. The Spider Forest is a place where the souls of those who die alone or unloved live in limbo, as spiders, until someone remembers them. That's a cool premise. The Spider Forest is also the cobwebbed memories each of us navigate as we attempt to deal with trauma, guilt, shame, etc. Maybe.
This is one of those Korean films which could not exist or be told in linear narrative. There are shots and scenes that come out of nowhere and seem not to touch anything around them until much later in the movie. This can be very frustrating. So why watch it again? As one can imagine, these out-of-nowhere scenes look completely different after you've been to the end once. All the nuances of the very simple story blossom the second time through. And the film is shot and played so well it's just fun to look at.
The film is beautifully shot and the acting top notch. Jung Suh, from Green Chair and The Isle is beautiful and captivating in a very understated performance in dual roles, which, by the way, is a huge spoiler (this info is absent from the credits) that doesn't spoil a thing.
This film is incredibly complex without being obtuse. It is more of a journey than a story. I will be watching it many more times.
Customer Rating:
Summary: An Entralling Suspense Thriller that blends Beauty, the Supernatural and Noir....
Comment: SPIDER FOREST (a.k.a. Geomi Sup, 2004) is a South Korean film that relatively took in a fair box-office take. Fortunately, from what I've gathered, the film did take in a surmountable amount in dvd sales. Directed by Il Gon-Song, "Spider Forest" is equal parts mystery, detective thriller and the supernatural. It also stars one of my favorite South Korean actresses; Jung Suh (Sometimes known as Seo Jeong), renowned for her role in Kim Ki-Duk's "The Isle", "Yellow Flower" and "Green Chair". This film is geared towards those who can appreciate good cinema, with a methodical approach that sidesteps the basic style of linear storytelling. The film has a Category III rating in Asia, which equals to NC-17 in the U.S.
Plot synopsis based on the dvd back cover:
Deep in the forest, a man and a woman have been brutally attacked in a cabin and left to die. Arriving too late, Kang (Gam Woo-Sung) chases the killer only to be hit by a speeding car. Barely surviving the surgery, he now finds himself a prime suspect in the double murder case. While a police investigation sets out to confirm his story, he cannot shake the feeling that there are strange gaps in his memory regarding the night in question and the killer's identity. As he tries to piece together the fragments of a bizarre dream, He crosses paths with a very beautiful and enigmatic woman named Su-jin (Jung Suh). Kang slowly begins to realize that his own nightmares may hold the key to the truth.
Not surprising that "Spider Forest" may alienate viewers used to the basic plot and twists, the film jumps around in timeline from Kang's relationship with his wife, to his investigation, to his conversations with Su-jin. What is truly amazing with the screenplay is that the film really encourages the viewer to work and take in the hidden, subtle clues and details dispersed throughout. It will probably make some folks say "I give up, the heck with this" but those who pay attention will be rewarded with a very awesome experience. The proceedings are almost "dream-like" in its execution and contains some smaller tales as well; such as "The legend of Spider Forest" which tells of restless and unloved souls who hide in this forest until they are remembered and loved again. No, the film is not about huge spiders spewing webs and devouring anyone in its path. I cannot spoil the fun for you, you will have to find out the relevance of its title for yourself.
While the killer's identity may be seen halfway through the film, and experienced viewers (like me) will no doubt figure out the mystery. What really grabbed me is the "slow reveal" that gives you tiny bits of information that lets you go by in every waking moment. "Spider Forest" isn't too much of detective work but a mystery saga that doesn't rely on the usual gruesome crap to keep you on your toes. Don't get me wrong, there is blood and gore, and for a Korean film, it does have quite a lot of sex scenes and nudity to awaken male hormones. Kang's a very likeable guy and viewers will no doubt form an attachment to him, it was very interesting to see him doubt himself and his memory of the said evening. The film's psychological aspect gives a possible scenario after possible conclusion after conclusion that causes us to argue the fact that the proceedings may be nothing more than fiction. Very nice touches, reminiscent of films like "Memento" and "Next Door".
The outstanding cinematography and visuals are what carried the film aside from its unorthodox style. There are some subtle symbols to be interpreted by the viewer (as to why Kang's wife plays mime), hidden secrets that effectively adhere to a whole. The wonderful shots of the countryside, that shifts to the impression that it may be a dream, then it grabs you by the throat with a touch of violent behavior; "sickle stabbing", anyone? The haunting music, the terrific performances by Gam Woo-Sung and the awesomely beautiful Jung Suh, all complement this film to climactic questions. The supporting cast isn't bad, either. Particularly, Kang's girlfriend (I lost her name), she exudes a certain intimidating sexiness to her character that rivals Jung Suh's erotic charisma. (Too bad, this is one film that you won't see Jung Suh in her Birthday suit)
There are a lot of questions that may arise from this film. The director somewhat relies on the film's climax to give us an idea that two separate issues did happen, is it a dream? Is it a parallel to a reality? Some viewers will be frustrated unless they paid extra attention to its entirety. It may leave some viewers scratching their heads and a bit depressed for Kang's situation.
True, South Korea may still be developing in the horror genre, and sadly, "Spider Forest" has been billed as being one. To close, the film is truly enthralling and an effective "Noirish" psychological thriller for the esoteric few (I've been using this term a lot lately) that appreciates methodical cinema. Equal parts murder mystery and the mind-boggling, it succeeds in all the areas that "A Tale of Two Sisters" wanted to but failed. It kicks the heck out of MOST Hollywood thrillers!
Highly Recommended! [4 Stars]
Customer Rating:
Summary: some other connections
Comment: I re-watched this again last night. Boy, K-films need two showings!( for any one who does not understand Korean) One to get the gist of the plot from the subtitles, the next to really watch the actors! All the differance in the world. Did anyone notice the puppets? The presence of horror and the warmth of love, grief and remorse are perfect in this little piece.
Customer Rating:
Summary: Great film!
Comment: One of the best films ever! I kid you not. The first time I saw it, I was confused but intrigued. I watched it a second time and was blown away. It's one of those rare films that I will watch over and over again.
I cannot say more without giving away the game. However, if you can handle ambiguity, you will love this film! As the director has revealed, he started out with two stories involving the protagonist; he had originally written a script that completely explained the mystery, then deliberately removed as much of that explanation as he thought he could get away with.
PS Strictly speaking it is neither a horror film nor a ghost story. It is a brilliant exploration of the workings of the mind.
Customer Rating:
Summary: Spider Forest is a worthy extension of cinematic ghost lore.
Comment: This movie demands the viewer's close attention -- a meditation on memory and loss in which the semantics of film narrative are fractured and slowly re-arranged and rebuild over its considerable running time. The intention here is not to deliberately confuse the audience, but to replicate the multi layered nature of an extreme experience. In the film's worldview, reality is not a simple thing to understand.
Though unquestionably a horror film -- and a ghost story -- it is not typical in either its concerns or its methods. Like the surrealist films of David Lynch (especially Mulholland Drive), it rewards those willing to fore-go standard expectations and accept that reality's tapestry may be woven according to a logic that is the stuff of nightmare. I'm not sure whether or not Spider Forest resolves all its narrative loose ends or that it completely follows its own internal logic. But by the end its meanings are broadly apparent and as a cinematic experience it repays the effort needed to follow its convoluted path toward emotional resolution. It may not be as tightly controlled as Memento, with which it shares the theme of amnesia, but it may pack more of an emotional punch.
Kang (Woo-seong Kam) awakens, beaten and pained, and while trying to piece together the recent (and distant) past. He meets Min Su-jin (Jung Suh), a strange young woman whose subtle omnipresence suggests a connection with Kang's history that will be central to the narrative's final resolution. To reach that resolution, grief, fear and delusion intermingle and re-form in Kang's battered mind -- and in the mind of the audience, which is forced to experience the story from Kang's point-of-view. Reality and fantasy circle each other with the architectural difficulty of a spider's web -- a web in which Kang (and others) are caught. Temporal paradoxes and realized myth play further havoc with narrative simplicity.
The primary metaphor is that of the Spider Forest itself, a mythic place where the souls of those who are forgotten (and who have forgotten themselves) become the ever-present arachnids that haunt the place. These souls are trapped there in spidery oblivion until such time as they are remembered. This myth is both literal and figurative within the context of the narrative. It is not hard to see how it relates to Kang's psychic journey toward realization and acceptance. There are revelations, though director Il-gon Song does not strive to hide them from us; most viewers will suspect the identity of the murderer long before it is "revealed", as the visual cues are abundant. But the revelation isn't his primary concern. It is the complicated emotions that lie at its heart that matter, along with the details of the temporal web amongst which they have been hidden. This is why the film works -- and why it survives both its arguably excessive length and its conceptual ambiguities. Spider Forest is an extended hallucination, from the threads of which a complex emotional portrait is woven.
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