Freely adapted from Robert Ludlum's 1980 bestseller, The Bourne Identity starts fast and never slows down. The twisting plot revs up in Zurich, where amnesiac CIA assassin Jason Bourne (Matt Damon), with no memory of his name, profession, or recent activities, recruits a penniless German traveler (Run Lola Run's Franka Potente) to assist in solving the puzzle of his missing identity. While his CIA superior (Chris Cooper) dispatches assassins to kill Bourne and thus cover up his failed mission, Bourne exercises his lethal training to leave a trail of bodies from Switzerland to Paris. Director Doug Liman (Go) infuses Ludlum's intricate plotting with a maverick's eye for character detail, matching breathtaking action with the humorous, thrill-seeking chemistry of Damon and Potente. Previously made as a 1988 TV movie starring Richard Chamberlain, The Bourne Identity benefits from the sharp talent of rising stars, offering intelligent, crowd-pleasing excitement from start to finish. --Jeff Shannon

The Bourne Supremacy

From The New Yorker
Fast, faster, and fastest-that's the way the cutting rate goes in this sequel to The Bourne Identity. The director, Paul Greengrass, jumps ahead within scenes, then jumps again. Greengrass is like a man breathing so fast that he never draws much oxygen into his lungs. Yet, of its kind, The Bourne Supremacy is incredibly skilled. Greengrass arranges pursuits and escapes that fly like arrows. He tears up staid old Moscow in a car chase and turns routine C.I.A. procedural stuff-people looking at computer screens and barking code names and other gibberish at each other-into nerve-racking contests of will. The movie is stripped down for action, and its hero-the survivor of a botched operation who suffers from amnesia-has no identity beyond his superlative physical skills and a vague sense of guilt. Harried, chased, both hunted and hunter, the blunt-nosed Matt Damon is a superhero reduced to pure reflex, yet, by means of his isolation and his stoicism, he becomes almost a romantic figure. Set in Goa, Naples, Berlin, Moscow, and, should you blink, perhaps Madagascar and Sardinia, too. With Joan Allen, Brian Cox, Julia Stiles, and Franke Potente. Adapted by Tony Gilroy from a Robert Ludlum novel. -David Denby Copyright © 2006 The New Yorker

The Bourne Ultimatum
The often breathtaking, final installment in the Bourne trilogy finds the titular assassin with no memory closing in on his past, finally answering his own questions about his real identity and how he came to be a seemingly unstoppable killing machine. Matt Damon returns for another intensely physical performance as Jason Bourne, the rogue operative at war with the CIA, which made him who and what he is and managed to kill his girlfriend in the series' second film, The Bourne Supremacy. Now looking for payback, Bourne goes in search for the renegade chief of CIA operations in Europe and North Africa, partnering for a time with a mysterious woman from his past (Julia Stiles) and constantly--constantly--on the run from assassins, intelligence foot soldiers, and cops. Directed by Paul Greengrass (United 93) with the director’s thrilling, trademark textures and shaky, documentary style, The Bourne Ultimatum is largely a succession of action scenes that reveal a lot about the story’s characters while they’re under duress. Joan Allen, Albert Finney, David Strathairn, Scott Glenn, and Paddy Considine comprise the film’s terrific supporting cast, and the well-traveled movie leads viewers through Turin, Madrid, Tangiers, Paris, London, and New York. Overall, this is a satisfying conclusion to Bourne’s exciting and protracted mystery. --Tom Keogh

Special Features for High Definition - Side A
U-Control Tutorial (Picture in Picture, Blackbriar Files - includes Character Dossiers, Location Analysis, Tech Specs of gadgetry and spy techniques explored through 3-D animations, text and static images); Volkswagen Get More Info, Web Enabled Features

Special Features for Standard Definition - Side B - Deleted Scenes
- 5 Featurettes: Man on the Move: Jason Bourne (scenes from Berlin, Paris, London, Madrid and Tangier locations), Rooftop Pursuit, Planning the Punches, Driving School, and New York Chase
- Feature Commentary with Director Paul Greengrass